Via Flaminia – All the Way (Part 3)

Welcome to the last of three articles following the ancient Roman road called the Via Flaminia from its start in Rome to its finish in Rimini. If a web search has led you directly to this article, I do recommend you read them in order. You can find the first one here, and the second one here.

The first article discussed the origins of the Roman military roads called “consular roads”, and followed the Via Flaminia from its start in Rome, as far as the ancient town of Carsulae in Umbria.

The second started with a discussion of how the roads were built, and what that means when one is looking for remnants. It then continued with a detailed itinerary through Umbria, including a walk along one of the sections, and a look at the town of Bevagna (ancient Mevania) where the Via Flaminia is the main street. On the way I had some fun using Google Maps satellite imagery to try and find traces of the road that are not obvious at ground level.

So let us continue, but first a look back at where we have come from. The photograph below taken from the hill behind Spello (ancient Hispellum) looks west across the Valle Umbra towards the Monti Martani. The Via Flaminia came up behind the mountains, then, as they turned into mere hills, the road turned right near the modern town of Bastardo and headed for Bevagna.

From Bevagna the road crossed the valley to a place called Forum Flaminii, where the eastern branch of the Via Flaminia rejoined the western.

The Valle Umbra from Spello
Looking west from Spello, across the Valle Umbra towards the Monti Martani. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Into the Mountains

After Forum Flaminii we must hope that our legionaries were by now feeling fit, because that was the end of the flat territory for a long time. Between Spello and Trevi a gap in the mountains leads to a long valley, heading due north and rising steadily up into the Apennines. A New Zealand friend who understood these things once told me that when you see a long straight valley in a mountain range, you are probably looking at a fault line. The number of earthquakes over the years in this part of Italy suggests that is true here as well.

Passing through the town of Nuceria Camellaria (modern Nocera Umbra), the road climbed into territory that was more and more wild and rugged, eventually crossing the watershed at a place called the Scheggia pass, about 600 metres above sea level. Shortly after this, at a place called Cales (Cagli), the road turned abruptly right, and started on a direct line to the sea, following the valleys of mountain torrents, firstly the River Burano, which flowed into the River Candigliano at a place now called Acqualagna.

I do not yet have any photographs which can give any sense of this, so here is a screenshot from Google Earth, looking north from Scheggia, with the probable course of the Flaminia highlighted to the point where it turns northeast towards the sea.

Google Earth Scheggia Pass to Cagli
Screenshot from Google Earth, showing the probable course of the Via Flaminia at its highest point in the Apennines. Source: Google Earth (click to enlarge).

The Flaminia was now descending quite steeply through a series of narrow valleys and gorges, and it was by no means the first road to follow this very ancient route – the Etruscans, the Umbri and their Neolithic predecessors had all traded salt from the Adriatic into central Italy this way.

Mountains, Tunnels and Bridges

On this stretch, one is struck by the number of ancient survivals there are. Near Cagli, there is a Roman bridge (now called the Ponte Grosso) over the Burano River. I took photographs of this in June 2008 and it was in remarkably good condition, still carrying local traffic.

Ponte Grosso at Cagli in 2008
The Ponte Grosso in Cagli in 2008, still in excellent condition for something two thousand years old. Horseman 45FA large format camera, Fujinon-W 125mm lens, 6x12cm rollfilm back, Fujichrome Velvia 50 film, scanned on a Flextight Precision II film scanner (click to enlarge).

Unfortunately, floods in 2022 caused significant damage, which was unrepaired on a visit in 2024 and remains so still (in 2026), which is the cause of some local concern. Let us hope that the authorities do something about it before another flood or an earthquake makes things any worse.

Ponte Grosso at Cagli in 2024
The Ponte Grosso at Cagli in 2024, showing damage from the 2022 floods. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

After the Burano flows into the Candigliano the river passes through a narrow gorge – the Gola del Furlo – and it is here that one of the most remarkable survivals of the Via Flaminia can be found.

Gola del Furlo
The Gola del Furlo – the road follows the ancient Via Flaminia. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

A narrow lake runs through the gorge, but this would not have been there in ancient times; it is the result of a dam built for a hydro-electric power station in 1922, which is still operating. Above the lake, on a nearly-vertical slope, can be found three parallel passages.

Starting from the outside, the first passage is a ledge cut into the rock, allowing the Flaminia to pass around the outside of a massive outcrop.

Via Flaminia at Gola del Furlo
The ledge at the Gola del Furlo, cut into the rock to create a space for the Via Flaminia. You can see grooves worn into the rock by wheeled traffic. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Just next to the ledge, you can see a small tunnel, about 8m long.

The "Etruscan" passage
The entrance to the small tunnel. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).
The "Etruscan" tunnel from the other end.
The small tunnel from the other end, showing how short it is, and how its purpose is simply to allow better access to the rock ledge. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

And then, furthest from the gorge, is a large modern-looking road tunnel, about 40m long and 6m high.

The large tunnel
The largest tunnel, with the modern road going through it. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

While many of the historical details of these three passages are clear, some things are less so and sources can be a little contradictory. Here is what I think is a plausible sequence.

Firstly, there must have been some way around the outcrop in the very earliest days of salt trading – the Bronze Age or even Neolithic – otherwise there would not have been a road here at all. This would presumably have taken the form of a narrow natural ledge.

At some point the smaller tunnel was cut, to get past a particularly difficult section. Some sources say this was Umbro-Etruscan (perhaps 4th Century BC), while others date it to the initial construction of the Flaminia in the 3rd Century BC. However signage at the site suggests that it was a temporary fix made during the upgrade of the Flaminia during the reign of Augustus (27 BC – 14 AD).

Then Roman engineers widened the existing narrow path by building retaining walls to extend it out from the cliff edge, and laying flagstones to protect the softer limestone of the mountain from being worn away by the road traffic. This extension would have needed constant maintenance. If the small tunnel dates from the Augustan period, perhaps the extension of the external path does as well.

Finally, in the years 76-77 AD, in the reign of the Emperor Vespasian, the largest of the three tunnels was built. Go back and look at the photograph of that tunnel again – that’s right, that modern-looking tunnel that you can drive through today (I have done so) is 1,949 years old as I write this in 2026.

Inside the Tunnel of Vespasian
Inside the tunnel of Vespasian. A close inspection of the wall reveals the marks made by the picks of the builders. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

As remarkable, perhaps, is the fact that until construction of the nearby autostrada in the 1980s, this road, now mainly used by sightseers, cyclists and the occasional history blogger, was the main road between the coast and the area of Umbria around Gubbio. Ordinary cars and trucks would have used this ancient tunnel every day.

There is no argument about the origins of this tunnel: near the northern entrance is the following inscription:

‘IMP(erator) CAESAR AUG(ustus) / VESPASIANUS PONT(ifex) MAX(imus) / TRIB(unica) POT(summer) VII IMP(erator) XVII P(ater) P(atriae) CO(n)S(ul) VIII / CENSOR FACIUND(um) CURAVIT’ (source: Wikipedia, quoting the Corpus Inscriptionum Latinarum).

In country like this, one risk to the road would be washouts caused by meltwater torrents in spring. Doing things properly as always, the Roman engineers built drains and culverts to divert the water under the road.

Drainage channel
A drainage channel near the Gola del Furlo. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Bandits

Where there is difficult terrain, and a road carrying tempting trade goods, you are likely to get bandits. There are records that one of the duties of the small Roman army detachment here, in addition to keeping the road maintained, was suppression of banditry. At various times since, over the centuries, distant authorities have either sought to exert control over the road, or largely abandoned it. As a strategic route, it was fought over, and fortified, during the Gothic Wars of the 6th Century, and afterwards taken by the Lombards.

While there were some famous travellers over the road in the Renaissance (Lucrezia Borgia, and Pope Julius II, both doubtless with substantial military escorts) it was only towards the end of the 18th Century that the road was properly re-opened, and policed.

One 20th-Century set of “bandits” – at least that is how the government would have referred to them – was made up of anti-fascist partisans. In the 1930s this road was sometimes used by Benito Mussolini when travelling between Rome and the north. The local Forest Guard, in a gesture of loyalty, carved a large profile portrait of the dictator on one of the cliff faces. During the war some of the partisans partially destroyed it, and apparently traces can still be seen, but I didn’t manage to identify it. Or more precisely, I saw several sections of the cliff that might have been the portrait of Il Duce, but might have just been random bits of rock – the mind is good at interpreting random bits of rock face as a human face, particularly when looking for a jutting rock-like fascist chin.

Mussolini, or just rocks
Can you find a portrait of Mussolini in this picture? Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Getting to the End of The Road

After the Gola del Furlo, the road becomes less steep and the valley widens out as the river – by now the Metauro – starts to wind from side to side as it approaches the Adriatic. The mountains are now rolling hills and the river flows not between canyon walls but, increasingly, between floodplains.

The Flaminia is now mostly underneath several layers of later road, but there is at least one more place where you can see the original. Just as the ancient road came out of the mountains it came to a prosperous town called Forum Sempronii, a name which over the centuries has been transmuted into the modern Italian Fossombrone.

Forum Sempronii was named after Gaius Sempronius Gracchus (154-121 BC), a soldier and politician in the late Republican era who with his brother has been either reviled as a dangerous demagogue or celebrated as a pioneering social reformer. Retelling his career here would take the article off in the wrong direction, but it is worth recording that his reforms, especially land ownership reforms, must have been influential if they named a town after him.

Fossombrone is an attractive town in its own right, but one of its attractions to the history enthusiast is that the modern  town does not sit on top of the ancient one but just west of it, which has allowed the latter to be subject to proper archaeological investigation. We were there on a very hot day in July 2024, and I did feel a bit sorry for the couple of archaeologists who were working in the heat.

Archaeological excavation of Forum Sempronii
Forum Sempronii archaeological excavation. The road in this picture is not the Flaminia, just one around the edge of the forum. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).
Forum Sempronii
Exposing the foundations of a large building at Forum Sempronii. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

And from my point of view, the big thing is that there is a surviving stretch of the Via Flaminia that you can go and look at, and walk along. This is because for some reason the SS3 deviates a few metres to the north, revealing the ancient road. Here as in Carsulae the Flaminia is an urban road, so it gets the full treatment – basalt paving stones, with drains and footpaths at the edges.

Via Flaminia at Forum Sempronii
The old Via Flaminia at Forum Sempronii. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).
Via Flaminia at Forum Sempronii
Drain and footpath beside the Via Flaminia at Forum Sempronii. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Before long the Adriatic comes into view up ahead and the long descent from the mountains is over. On reaching the coast at Fanum Fortunae (modern Fano) our legionaries would then have swung left up the coast, arriving quite shortly at Pisaurum (Pesaro).

After Pesaro the ancient route is a little unclear for a while – there is a line of hills quite close to the coast and the modern main roads, both the SS16 and the E55 Motorway, follow the inland edge of those hills. I have seen suggestions that the Flaminia tracked close to the coast, but these have a slightly speculative tone.

Screenshot from Google Earth, with hypothetical coastal and inland routes of the Via Flaminia marked in orange and yellow respectively. Source: Google Earth (click to enlarge).

 However in the next town up from Pesaro, now the seaside resort of Cattolica, the renovation of a house in 2020 revealed remains of a Roman road, probably the Flaminia. Here is an article (in Italian) about the rediscovery. So whether the road hugged the coast or went inland, it seems likely that it was definitely at the coast at what is now Cattolica.

Which is where I rejoined it, for the final run into Ariminium (Rimini) where it ended. And as in Rome at the Porta Flaminia, here there is no doubt at all, because when the renovation of the road under Augustus was complete, they erected a big ceremonial arch where the road entered the town.

The Arch of Augustus at Rimini
The Arch of Augustus at Rimini. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

Thanks to the re-use of the name where the modern road follows the ancient one, I also had the pleasure of hearing my satnav say things like “at the next roundabout, take the second exit and continue on the Via Flaminia”.

If you drive around here you might notice other road signs with classical associations. I went past a sign pointing to the “Rubicone Industrial Zone”. Yes, the Rubicon. Ariminium was one of the northernmost cities in what the Romans in the Republican period considered to be Italy. Beyond that (the Po Valley) was Cisalpine Gaul, with a substantially Celtic population. The boundary was the little river Rubicon. Roman generals were not allowed to bring their armies into “Italy” without the permission of the Senate, and so when Julius Caesar famously crossed the Rubicon without authority, it was an act of defiance. “Crossing the Rubicon” therefore became a common metaphor for passing a point of no return. “Alea iacta est” (the die is cast) said Caesar as he crossed, thereby coining two common metaphors in a single action.

Until 1933 no-one could really agree where the Rubicon was, other than just north of Rimini. This close to the Adriatic, and before artificial canalisation, rivers changed course frequently when they flooded, and the name “Rubicon” had fallen out of local use. So the Fascist government decided to rename a river called the Fiumicino (“Little River”) as the Rubicone. Not everyone agrees, but the modern Rubicon is probably not far from the ancient one. It enters the sea at the modern beach resort of Cesenatico, if you want to find it yourself.

Arch of Augustus from the outside
The top of the Arch of Augustus from the outside, showing medieval repairs. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

In Rimini, the Arch of Augustus now stands alone, but was a gate in the town walls until the 1930s when the structures either side were demolished. It is also obvious that the top of the arch has been repaired and is of medieval construction, thanks to the characteristic Ghibelline “swallowtail” crenellations. This section does however incorporate part of the original Latin dedicatory inscription.

Arch of Augustus from the inside
The Arch of Augustus from the inside. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

From Ariminium another major consular road – the Via Emilia – continued towards the northwest, which even more than the Flaminia is quite faithfully represented in the modern road system. Another road – not a consular road – ran up the coast through the marshlands of the Po Delta, but this only became important later.

The Arch of Augustus
The end of the Via Flaminia, showing clearly how much of it is the medieval reconstruction. Fujifilm GFX-50R medium-format digital camera, 32-64mm lens (click to enlarge).

And that is the end of my (reconstructed) journey along the Via Flaminia from Rome to Rimini. Although I have written it as if it were a single journey, the photographs were taken over a period of 20 years or more. I have no idea whether anyone else will enjoy reading this, but as the idea of the project grew, I had a lot of fun working on it. I have no doubt that I will acquire more photographs and information that will add to the story, and will update things as needed. If you are one of the many people who know more about this subject than I do, please use the comments to advise me of any errors.

Via Flaminia – All the Way (Part 2)

Welcome to the second of three articles following the ancient Roman road called the Via Flaminia from its start in Rome to its finish in Rimini. If a web search has led you directly to this article, I do recommend you read them in order. You can find the first one here.

The first article discussed the origins of the Roman military roads called “consular roads”, and followed the Via Flaminia from its start in Rome, as far as the ancient town of Carsulae in Umbria.

Via Flaminia leaving Carsulae
The Via Flaminia heading north out of Carsulae, with the town gate in the distance. Hasselblad 501 C/M camera, CFV-50c digital back, Zeiss Distagon CF 60mm lens (click to enlarge).

A Note on Road Construction

Before rejoining the Flaminia at Carsulae, let us pause for a moment to think about how these roads were built, and what that means for us looking for the remnants a couple of millennia later.

My first detailed look at a Roman road was during a visit to Pompeii, and like many visitors I was impressed by the advanced construction, with pedestrian pavements at the sides, gutters and drains, and raised flat blocks at the intersections to allow pedestrians to cross with dry feet while leaving gaps for cart and chariot wheels. I was also struck by the ruts worn by those wheels in the basalt paving stones. (It is, unfortunately, a myth that the standard railway gauge of 4’ 8½” is based on the spacing of those Roman chariot wheels).

Via Flaminia in Carsulae
The Via Flaminia in Carsulae, showing the flagstones, raised pedestrian pavement, and the grooves worn by cart and chariot wheels. Hasselblad 501 C/M camera, CFV-50c digital back, Zeiss Distagon CF 60mm lens (click to enlarge).

So road construction in urban areas was quite sophisticated. I had not given much thought to how the roads were made in rural areas, but had I done so it would have been obvious that it would be unnecessary and uneconomical to put the same amount of effort into them as in the towns.

Instead it seems that the rural roads were constructed like a modern well-made rural gravel road. First they would have dug down to get to rock or solid earth, then they would have filled it with rubble or coarse gravel to provide both firmness and drainage, then covered it with a top layer of finer gravel and compacted earth, raised in the centre, again to aid drainage. The result, as a sign at the bridge at Ponte Fonnaia explained, would have been something that looked very much like a modern Italian unmetalled strada bianca. This was great news for a history nerd, as it meant that when walking along such a road it would be much easier to imagine what it would have been like for our legionaries.

Between Acquasparta and the Ponte Fonnaia

And with that in mind, a month or so ago two friends and I decided to walk along the surviving stretch of the Flaminia between the town of Acquasparta and the Ponte Fonnaia, the Augustan bridge which I wrote about in my post on The Ponte Fonnaia on the Via Flaminia.

Acquasparta
Acquasparta today, an elegant town dominated by the Renaissance Palazzo Cesi. The Via Flaminia ran along the foot of the hill on which the town now stands. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

At the tourist office in Acquasparta a couple of years ago I acquired a map of the route of the Flaminia as it passes through the area of Massa Martana and Acquasparta, and a sunny Umbrian spring day seemed a very good reason to get out and see the Flaminia on foot, as the legions did.

Actually, we did it the other way round, parking the car at the Ponte Fonnaia and walking down to Acquasparta, but for consistency with the rest of the article I will describe it on our way back, from south to north.

The Flaminia’s route was determined by topography and the need to get military force north from Rome as efficiently as possible, and around here that meant following the lower slopes of the Monti Martani. That means that there were plenty of warm springs coming out of the limestone, and so a chain of towns sprang up along the road servicing the spa trade.

These springs still exist, but although it is still apparently possible to bathe in some of them, the principal economic activity is bottling and selling the water, before anyone has bathed in it. The largest such operation is at San Gemini, and having tried their stuff, I have to say that it manages the difficult job of making Umbrian tap water taste decent by comparison. Their business model must be based on the assumption that anything which tastes so horrible must be good for you. We have a book on Umbria from the 1930s that even claims that the stuff is radioactive! Presumably the modern bottlers avoid those sources; at any rate the two unopened bottles I have had downstairs for six years do not glow in the dark.

San Gemini
San Gemini from halfway up Monte Torre Maggiore, the highest peak in the Monti Martani. The Via Flaminia ran parallel to, and just beyond, the modern E45 motorway which you can see in the valley. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Our route north from Acquasparta took us at first along paved urban roads, but before long there was a sign saying “Via Flaminia Antica” which led us onto roads which became progressively narrower, and eventually unmetalled.

Via Flaminia near Acquasparta
The “Via Flaminia Antica”, heading north from Acquasparta. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

According to the map the road took us over another ancient bridge, but we didn’t notice it on the way down and it took a bit of finding on the way back, due to its being very overgrown. The Wikipedia article on the Via Flaminia says that this bridge is rare in preserving construction techniques from the original 3rd-Century-BC road rather than from the Augustan rebuilding, but under all those blackberry bushes, your guess is as good as mine.

A hidden bridge on the Via Flaminia
There is an ancient bridge under here somewhere. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Once onto the gravel section of the road it became possible, with a bit of imagination, to see traces of that Roman substructure where bits of the rubble layer had been exposed by erosion. Like elsewhere, where possible the road builders had kept to the ridgeline where it would be passable in all seasons. That in turn meant that we often had good views of the surrounding country.

Via Flaminia with sign
Keeping to the high ground again, the Via Flaminia here is just a track across some fields. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Ancient road bed
In several places where the top layer of the road had washed away, more substantial layers could be made out. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
The Via Flaminia crossing farmland
Crossing between fields of barley. Again, one wonders how different this scene would have been in the 3rd Century BC. We can assume the road surface was in better condition, and that there were no power poles. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Somewhat relieved to find that the car was still parked at the Ponte Fonnaia, we had a look at the bridge. As I mentioned in the original article, it dates from the 1st Century AD Augustan reconstruction of the Flaminia, and you can make out letters and Roman numerals on some of the stones. This, supposedly, is because they were made to a standard pattern and the blocks would be labelled at the quarry, so that when they arrived at the site they could be more easily assembled according to the intended design, like an IKEA bookcase. I don’t know if that is really true.

The Ponte Fonnaia
The Ponte Fonnaia, which dates from the August restoration of the Via Flaminia, when the road was already a couple of hundred years old. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Letters and numbers incised on the stones of the Ponte Fonnaia
Letters and numbers incised on the stones of the Ponte Fonnaia. Were these part of the assembly instructions? Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

From the Ponte Fonnaia to Bastardo

Continuing north from the  Ponte Fonnaia, the road continued due north at the foot of the Martani Mountains, to a place called Vicus Martis Tudertium (the Village of Mars of Todi). This was where another road from Tuder (Todi) came in from the west and joined the Flaminia, and it seems from the name that there was a temple of Mars here. Sources suggest that this is the origin of the name “Monti Martani” (mountains of Mars) but I wonder about that. Could it have been the other way round? Were the mountains already sacred to Mars?

In my post on The Temple on the Mountain I described the pre-Roman temple there, and also how it was standard Roman practice to appropriate local deities into their own pantheon. The Umbri were a warlike people: was that forgotten Umbrian deity a god of war like Mars, and did he continue to be worshipped beside his mountains in his new guise?

Votive offerings of Martial figures
Pre-Roman votive offerings of martial figures in the Civic Museum of Todi. Fujifilm X-Pro 3 digital camera, 35mm lens (click to enlarge).

Such amateur speculation aside, we can say that virtually nothing remains of Vicus Martis Tudertium today, it having been abandoned after major earthquake damage in 306 AD. The stone of which it was built was all scavenged for reuse in other buildings including a local church, which certainly looks as if it contains older material.

Vicus Martis Tudertium
The site of Vicus Martis Tudertium today, beside the Via Flaminia. The medieval church of Santa Maria in Pantano was not here in ancient times, but the road was. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Santa Maria in Pantano
Santa Maria in Pantano from the front, with the adjacent building, both showing signs of having been built with stones scavenged from the temple of Mars which once stood here. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Santa Maria in Pantano
Inside the church of Santa Maria in Pantano. The column capital certainly isn’t Roman – Lombard, perhaps – but could the column itself have started its life as part of the temple of Mars? Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Santa Maria in Pantano
One of the external walls of the church, again showing stones reused from the the ancient site. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Vicus Martis Tudertium
A final picture of the site of Vicus Martis Tudertium, showing the proximity of the Monti Martani. I was standing on the route of the Via Flaminia when I took the photograph. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

The nearest modern town is Massa Martana, which was not there in antiquity – originating as a 7th-Century Lombard frontier post, it is a comparative newcomer. It was originally called just “Massa” but the new Italian government renamed it Massa Martana in 1863 in an explicit reference to Vicus Martis Tudernum (although the locals still call it “Massa”).

Massa Martana
The town of Massa Martana, looking very nice after its extensive rebuilding following the 1997 earthquake. The ancient Via Flaminia passed just to the east (ie on the far side, in this photograph). Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Beyond what would one day be Massa Martana, the route of the Flaminia is a bit unclear for a while, but eventually it gets to a point where the mountains, now descending into hills, were low enough to allow the road to cross from west to east.

Near Torre
Looking south from near the village of Torre, not at the Martani Mountains any more, but the Martani Hills near the modern town of Bastardo. The Via Flaminia crossed from west to east (right to left in the photo) near here. The actual route is a bit vague, probably because it lies under one of the modern roads. The existence of the medieval castle suggests that the road may have passed quite close. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

As I described in my post on A Town Called Bastard, the modern town of Bastardo is only three or four hundred years old, but it too grew up on what had been the Via Flaminia. Just before you get to Bastardo there are the remains of a Roman villa, and somewhere nearby are the remains of another bridge, which I have yet to find.

Now for some extremely amateurish amateur archaeology. The two screenshots that follow are from Google Maps, of the area just south of Bastardo where the Roman villa is located. In the first, the “Roman Villa from the Imperial Age” is at the lower left, while the “Old Via Flaminia” comes in from the upper right, but then just seems to peter out.

Via Flaminia in Bastardo
Screenshot from Google Maps of an area on the southern side of Bastardo. Source: Google Maps (click to enlarge).

Now let us look at the same area in Google Maps, but with satellite view enabled. The “Via Flaminia Vecchia” comes in from the top right again, but this time you can clearly see that it continues, marked by the long curving field boundary. No doubt this is already well-known to experts, but I felt quite pleased to have noticed it. And the Roman villa can be seen to be at the back of an olive grove, which explains why I didn’t find it when I came looking for it.

Bastardo satellite view
The same area in Google Maps with satellite view enabled. Source: Google Maps (click to enlarge). Or click here to open in Google Maps and explore for yourself.

A friend who lives nearby tells me that recent excavations suggest that the “villa” was actually a mansio or road station for troops on the march, with a kitchen, mess hall and so forth. As far as I know the name of that place is lost. Every now and then civic-minded locals talk about changing the name of Bastardo to something a bit more dignified, but it never quite takes off. I’m sure that if they knew the name of the ancient predecessor they might have picked that.

I like the idea that there was a kind of ancient Autogrill there – after all, Bastardo started out as a coaching inn and stables to cater to the needs of travellers, but it seems that the “bastard” who opened that establishment was by no means the first to do so.

To Bevagna and Across the Valley

Heading away from the place whose ancient name we don’t know and which is now called “Bastard”, our legionaries would have descended slowly through rolling hills towards the plain now known as the Valle Umbra, and the town of Mevania (modern Bevagna).

Gualdo Cattaneo
A photograph taken just east of Bastardo, looking towards Gualdo Cattaneo. Once again, I am not quite certain of where the Flaminia ran here, but it is either somewhere in this photograph, or I was standing on it. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

I haven’t been able to track down any maps of where the Flaminia ran here, but looking again at the satellite view of Google Maps, I see a few straight stretches of road that don’t seem to start or end anywhere in particular, so here is a highly speculative possible route.

Google Maps Bastardo to Bevagna
Screenshot from Google Earth satellite view with a hypothetical route of the Via Flaminia between Bastardo and Bevagna highlighted in yellow. I based this on looking for straight stretches of road or field boundaries that don’t seem to start or end anywhere, but which nonetheless seem to form a continuous line. Once you get down into the Valle Umbra that doesn’t work any more because all the roads are straight there. (click to enlarge, or click here to open in Google Maps and explore for yourself).

Mevania was an important Umbrian town in pre-Roman days, but after its incorporation into the Roman imperium it thrived even more due to its position on the Flaminia, where it too hosted a mansio, and on a river which was navigable down to the Tiber near Perugia.

Bevagna
Bevagna today, with Assisi in the distance. The Via Flaminia entered the town from the left and left it from the right. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Although the Bevagna we see today is mostly medieval, it nonetheless preserves its ancient past authentically in its road map, and the Flaminia runs the length of the town.

Bevagna Piazza Filippo Silvestri
A Roman column in Bevagna’s main square, the Piazza Filippo Silvestri. Sources suggest – plausibly – that this was the forum of ancient Mevania, and the Via Flaminia came through here. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).
Bevagna Corso Matteotti
The main street of Bevagna, now the Corso Matteotti, once the Via Flaminia. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Bevagna preserves other ancient remains as well. On a side street which leads to the medieval gate at Piazza Garibaldi, you can see substantial parts of a 2nd-Century temple (to which deity it was dedicated is unknown). It survived through being incorporated into a Christian church.

Bevagna Roman Temple
The remains of the Roman temple in Bevagna. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

There was a theatre, the shape of which is preserved in the medieval houses built on its remnants.

There are also the mosaic remains of part of a bath complex from the Second Century AD, which came to light during the 1600s. They are just down a street next to the remains of the temple described above. The mosaics – on a marine theme as befits a bath – are very well-executed. You can gain entry by booking a time at the town hall. Or you can peer through the dirty windows, which is what most people seem to do.

Roman bath mosaics at Bevagna
Bevagna, the mosaics in the bath complex. Fujifilm X-Pro 3 digital camera, 35mm lens (click to enlarge).
Roman bath mosaics at Bevagna
Bevagna, the mosaics in the bath complex. Fujifilm X-Pro 3 digital camera, 35mm lens (click to enlarge).

Leaving Bevagna by the medieval Porta Foligno, you can see the remains of Roman walls in a small park.

Roman and Medieval walls in Bevagna
Two small sections of Roman walls outside the medieval walls of Bevagna. They are clearly Roman, firstly because of the characteristic “diamond brick” pattern in places, and secondly because the wall was built hollow, then filled with concrete. What sort of structure they were part of, I don’t know. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

Down in the valley now known as the Valle Umbra, the Via Flaminia headed northeast in its habitual straight line. It did not lead to either of the nearby towns of Hispellum (Spello) or Fulginiae (Foligno) but to a spot between the two called Forum Flaminii, where it was rejoined by the eastern branch, coming up from Spoletium (Spoleto).

Frieze from Forum Flaminii
Fragment of a frieze found at Forum Flaminii, on display at the Palazzo Trinci in Foligno. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

These days the valley is dead flat, and very fertile (the onions of nearby Cannara are prized locally) but when the road was first built in the 3rd Century BC, the valley was swampy and flood-prone. The Roman engineers would therefore have had to build a causeway of sufficient height to allow the road to be usable in all weathers.

During the Roman period, the valley was drained and turned into productive farmland. Then after the fall of the empire the constant work needed to maintain the drainage system ceased, and nature reasserted itself. Before long it was once again mostly swamp. Small-scale and uncoordinated efforts were made in the Middle Ages, but the canals and dykes we see today mostly date from the 19th Century.

Despite the rising and falling water levels over the centuries, the modern Flaminia (here called the SR316) still follows the old route across the valley, on a causeway which, no matter how many times it has been repaired, must sit on the original Roman foundations somewhere beneath the surface. As elsewhere on the road, on the outskirts of towns our legionaries would have marched past large monumental tombs, the remains of a couple of which can still be seen.

Roman tomb on the Via Flaminia between Bevagna and Foligno,
The remains of a monumental tomb beside the Via Flaminia between the towns of Bevagna and Foligno. The causeway on which the modern road runs must be on the same foundations as that built by the Romans. Fujifilm GFX 50R medium-format digital camera, 32-64mm lens (click to enlarge).

I frequently take this road when heading to Foligno, Spello or Assisi from Bevagna, and enjoy pointing out to passengers that we are travelling on the Flaminia, possibly with a bonus lecture on the consular road system or ancient water management. There is nothing like a captive audience.

That is the end of the second article in this series on the Via Flaminia. It will shortly be joined by the final instalment, in which we cross the Apennines and head up the Adriatic coast to the end of the road in Ariminium (Rimini).

Edit: You can find the final part of this series here.

Via Flaminia – All The Way (Part 1)

Welcome to the first of a series of articles describing the ancient Via Flaminia, from its origin in Rome to its terminus at Rimini on the Adriatic coast.

A few years ago in 2019 I wrote about a visit to the ancient Roman town of Carsulae, on the Via Flaminia as it passes through Umbria, and – inspired by my realisation that the “Legions’ Road to Rimini” that Kipling wrote about in Puck of Pook’s Hill was in fact the Via Flaminia, I indulged myself in some flights of fancy about the legions marching along the Flaminia on their way to conquer distant lands to the north. That original post is here.

Since then I have visited parts of the road several times, and have written about it again in my posts on The Ponte Milvio in Rome, A Town Called Bastard, A Visit to Narnia and The Ponte Fonnaia on the Via Flaminia.

Over time I started to think about the possibility of a post describing the entire 300km or so, from Rome to Rimini, and I think I have enough material now to give it a try. Obviously this can by no means cover every part of it – that would take a substantial book. Nor did I take all of these photographs in sequence, but I have assembled them in order, from south to north, to give an idea of the journey that those marching legions took.

There is more detail on the parts where the road passes through Umbria, because that’s where I live when I am in Italy, and a bit lighter on the later parts where it heads up the Adriatic coast, but I don’t think that is inappropriate; the history of the region and the history of the road are very much intertwined, and there do seem to be more remnants of the ancient road in its central sections in Umbria and Marche. I really don’t know how interesting people will find this, but I have to say that I had a lot of fun researching it, taking the photographs for it, and writing it.

This article grew in the writing, partly because researching it alerted me to new places to visit and photograph, so it became clear that I would need to split it into three parts. This is the first.

But first, a brief historical recap.

A Consular Road

The Via Flaminia is what is known as a “consular road”, built around 220 BC. These were military roads that were built during Rome’s expansion in Italy, in the period of the Republic (509-27 BC). Their purpose was power projection – the ability to get an armed force quickly to where it was needed.

Map of the Via Flaminia
Map of the Via Flaminia. The principal route is shown in blue, with the later alternative route via Interamna and Spoletium in purple. The orange route is a later road. Source: Wikimedia Commons (click to enlarge).

Under the Roman Republic, the Senate made the laws, but administration was undertaken by various types of elected magistrates, of whom the most important were the consuls. These were elected in pairs, and each could veto the other. They led both the civil administration and the army, and were expected to take the field and lead the army in time of war.

The consular roads were an important part of how Rome projected power; the Via Appia, the Via Flaminia, the Via Cassia, the Via Emilia, these main ones took their names from the consuls who commissioned them – in this case Gaius Flaminius – and each had a dedicated office in the Roman bureaucracy responsible for its maintenance.

Posterity remembers Gaius Flaminius for another reason as well – he fell in battle leading the Roman Army at Lake Trasimene against Hannibal of Carthage. But while historians remember his defeat and death, each year millions of drivers still take some part of the Via Flaminia, which is a more positive sort of immortality, I suppose.

Gaius Flaminius’s road heads due north from Rome, a direction it mostly maintains except where it has to get through or around mountains. Where the topology allows, it is as straight as Roman Roads famously were, and that is in fact a good clue that you are on it, when a country road suddenly becomes dead straight for a while. It seems that a Roman surveyor’s most useful tool was a ruler.

The Via Flaminia, heading north-east out of Bevagna in Umbria. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

The original route of the Flaminia took it to the west of the Martani Mountains in Umbria, through Carsulae. Later, an alternative route was opened to the east of the mountains, joining the towns of Interamna (modern Terni), Spoletium (Spoleto) and Trebiae (Trevi), as well as the sacred springs of Clitumnus. The two branches rejoined at a place called Forum Flaminii, just north of Fulginiae (Foligno) before leaving the Umbrian valleys and heading into the mountains.

A couple of centuries after Gaius Flaminius, the road received a major upgrade during the rule of the new emperor, Augustus. Most of the remains we can see today probably date from that Augustan restoration.

A couple of millennia after Gaius Flaminius, the Fascist government of Italy regularised the road system, introducing the categories of strada provinciale (SP), strada regionale (SR) and strada statale (SS) that are still used today, based on who pays for their upkeep (or in Umbria, the lack thereof). In their enthusiasm for ancient glories, when a route largely followed an ancient consular road, the Fascist government gave it that name, so in 1928 the road officially became the “SS3 Via Flaminia”, as it remains. I love the fact that the modern road system preserves the ancient names, so I am prepared to forgive the Fascists for that – as I also do when seeing “SPQR” on a manhole cover in Rome.

Leaving Rome

The traditional start of the Via Flaminia is at the gate in the Aurelian Walls known as the Porta Flaminia, still standing next to the Piazza del Popolo, although now much altered since the Renaissance and known as the Porta del Popolo. But the Aurelian Walls were built four centuries after the Flaminia, so as far as its builders were concerned, it probably started at the Capitoline Hill, on the road called the Via Lata (now the Via del Corso).

Start of the Via Flaminia
The traditional start of the Via Flaminia in Rome – the tram stop outside the Porta del Popolo, with the Piazza del Popolo beyond. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Looking north from the start of the Via Flaminia
Looking north from the start of the Via Flaminia. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

From the Porta Flaminia the road heads straight northwards, now a major urban thoroughfare passing fancy apartment blocks and buildings housing Italian government ministries, towards the Milvian bridge (Ponte Milvio).

The Via Flaminia in Rome
Grand apartment blocks on the Via Flaminia heading towards the Milvia Bridge. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

The Milvian bridge is remembered for the pivotal battle which saw the pagan emperor Maxentius defeated by Constantine, leading to the establishment of Christianity as the state religion. At least, that’s the story that Constantine and the Church told afterwards – I’m of the view that this was one of the most Stalin-like rewritings of history in, well, history.

The Milvian Bridge
The Milvian Bridge from the southern bank of the Tiber. The tower at the other end was erected in 1805 during the rule of Pope Pius VII. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

The bridge itself has been damaged and repaired many times since – at one point one of the thuggish noble families of Rome destroyed it in order to force traffic to use the Ponte Sant’Angelo – a bridge they controlled (and for which they charged tolls). However some of the surviving stonework looks as if it might have been Roman.

Looking south on the Milvian Bridge
Looking south, back towards Rome, from the northern end of the Milvia Bridge, under the Pius VII tower. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

When driving out of Rome to return to Umbria I generally start the journey on the SS4 (Via Salaria – not named after a consul but so-called because it was the ancient salt-trading road to the Adriatic coast near Ascoli Piceno). However on the occasions I took the SS3 through the northern suburbs I can say that I saw no traces at all of ancient remains – except that the route itself is a sort of ancient artefact, of course.

North of Rome

A famous location near the Flaminia on the northern outskirts of Rome is the “Villa of Livia”, which I have yet to visit, although we have seen the frescoes that were recovered from that site and are now displayed at the Museum of the Palazzo Massimo alle Terme, as I described in my post on The Garden of Livia Drusilla.

I thought I had an opportunity to visit the Villa of Livia recently, but alas as so often happens in Italy, it was temporarily closed. So instead, when returning to Umbria after dropping people at the airport in Fiumicino, rather than taking the A1 motorway I took an earlier exit from the Rome Ring Road and headed north on the modern SS3 Flaminia. Online searches had suggested that there were several places on the SS3 north of Rome where I might find remnants of the ancient road, but I didn’t really find anything apart from the remains of one monumental tomb in a field by the road, and small sections of country lanes with signs saying “Via Flaminia Antica”. Such roads look like modern dirt roads, and there is a good reason for that – that’s pretty much what they are. I was keeping my eyes peeled for the brown roadside signs that the Italian authorities use for historic and cultural sights, but these all pointed to medieval attractions like monasteries and castles.

Despite failing to find any interesting archaeology, it was an opportunity to take note of the route that the Roman military engineers chose, and speculate as to why. The obvious reason is that it was the famous Roman straight line, but I also noted that the road follows the ridge-line of a low range of hills, with the Tiber Valley down to the right. In antiquity the lower Tiber Valley was a marshy floodplain, so the engineers would have taken advantage of the high ground when available, and when forced down to the river, would have need to spend time and money building and maintaining causeways and drains.

The elevated route made for a pleasant drive, at first in dormitory suburbs of Rome where modern housing developments sit next to ancient farms, but becoming increasingly rural as I continued northwards, with pockets of woodland separated by fields of green young barley edged by bright red poppies. I know they grew barley and similar grains in Roman times, so would the scene have been all that different for our marching legionaries?

A rural section of the Via Flaminia
A rural section of the Via Flaminia, in Umbria. Did the countryside look anything like this when the legions marched along here? Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

As I mentioned in my post on Carsulae, Roman Legions famously marched a predictable distance a day (although not quite as predictable as Kipling said), and on a good road like the Flaminia, this would have been about 20-30 kilometres, so our legionaries would have stopped for the night at somewhere like Morlupo, after leaving Rome at the Porta Flaminia. I had assumed that on the Via Flaminia there would have been barracks for the troops to sleep in overnight, but online sources suggest that they might have been expected to pitch tents outside towns, even those which had a mansio or road station. I suppose it would have been good training for when they eventually found themselves beyond the frontier.

Map of the Via Flaminia from Rome to Ocriculum
Screenshot from Google Maps of the area north of Rome, with the Via Flaminia highlighted in yellow. The course of the Tiber can be identified because the E35 and A1 motorways largely follow it here, while the Flaminia keeps to the high ground to the west. Where the Flaminia crosses the A1 is roughly where it crossed the Tiber in antiquity, and where it says “Porto dell’Olio” is near the town of Otricoli. Source: Google Maps (click to enlarge).

Crossing the Tiber Again at Ocriculum

After leaving Rome and crossing the Tiber at the Milvian Bridge, our legionaries, like me in the car, would have had been on the western side of the Tiber as they headed north, and the builders of the Via Flaminia would have had to find a place to get them back across to the other side. As I descended down towards the Tiber, I wondered just where that was.

This, it seems, was near a place called Ocriculum (modern Otricoli), just across the present-day border between Lazio and Umbria. Apparently the piles of a stone bridge were still visible in the river until the 18th or 19th Centuries, but I gather that few traces remain today. These days the Tiber near Otricoli has seen canalisation and hydro-electric dams, and the river will also have changed course many times for natural reasons like flooding, so the disappearance of the bridge remnants is not that surprising. Looking at the area of the supposed crossing point on Google Earth, I see a truck parking area on the A1 motorway, something that looks like a quarry, and a depot for the regional bus service. 

But I did visit the archaeological area at Otricoli, and it was well worth it.

As is so often the case, the modern (ie medieval) town is up on a hill, for defence and to reduce the risk from malaria, while the ancient town is in the valley, because in antiquity the risks of invasion and infection were both much lower.

Ancient Ocriculum was an established Umbrian settlement before the Roman road builders appeared on the southern horizon, but its location on the new highway must have accelerated the process of Romanisation. Certainly the traces remaining today – all from later periods than the building of the Flaminia – suggest a substantial and prosperous place.

Roman remains at Ocriculum
Roman remains at Ocriculum. If I read the signage correctly, this modern road follows the Via Flaminia. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

It was a sunny weekday morning in late spring. There were a few other visitors on a guided tour but they were some distance off and it felt as if I had the place to myself. I had parked the car near the main road, and walked several hundred metres to the site, which was a good opportunity to try and get a feel for the lie of the land. The first structures I came across were the remains of tombs. The ancients had a very sensible ban on burying the dead inside town boundaries, so time and again, one finds that there were monumental tombs belonging to wealthy families lining the roads just outside the city walls – some of the best examples are in Pompeii, and in Rome itself, along the Via Appia Antica (to be the subject of a future post).

Remains of Ocriculum
Ocriculum. The two structures are the remains of monumental tombs, and according to signage at the site, the Via Flaminia passed between the two, so the photograph was probably taken from the position of the road. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Tomb at Ocriculum
Remnants of a tomb at Ocriculum. The Via Flaminia would have passed directly in front of it. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

Modern Italians also maintain municipal cemeteries outside towns and villages, and some of the family tombs therein look quite monumental. It would be nice to think that this was a survival from antiquity, but not really – the practice dates from public health reforms during the period of Napoleonic rule. However it is very likely that the architects of those laws were aware of classical models.

Except in special cases like Pompeii, when one sees a Roman tomb the original monumental marble or travertine facades have long since been robbed away, and what remains is the internal brick and concrete. So it takes a bit of imagination to try and visualise what the originals may have been like.

Pompeii, Via delle Tombe
This view of the “Street of the Tombs” outside Pompeii gives us some idea of what the Via Flaminia just outside Ocriculum might have looked like. Hasselblad 501 C/M camera, Zeiss Planar C 80mm lens, 6x6cm film back, Fujichrome Velvia 50 film, scanned on a Nikon LS-9000ED film scanner (click to enlarge).

Ocriculum was located near some hot springs, and the Romans certainly knew what to do with those – the archaeological site contains some impressive remains of a bath complex. No doubt weary travellers on the Flaminia would be glad to soak away the aches of the journey.

Ocriculum: remains of the baths complex. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Ocriculum Forum
Ocriculum: the forum. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

Narnia and The Bridge of Augustus

Having crossed the Tiber and left Ocriculum, our legionaries would have left the river valley quite soon, and climbed into rolling hilly country much like that coming out of Rome. The difference here is that up ahead were looming the mountains of Umbria, and some serious uphill marching.

San Felice
The Martani Mountains, near the Abbey of San Felice. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

The natural and obvious place for the road to get through the first of these obstacles was the gorge of the River Nera, below the town of Narnia (modern Narni). Also an ancient Umbrian town, Narnia’s position on a choke-point made it strategically important, and its absorption into the Roman imperium was not peaceful. Its original Umbrian name was Nequinum, but the Roman Senate renamed it Narnia from the River Nera (ancient Nar).

C.S. Lewis almost certainly chose the name of the town for his fictional world – among his effects is a classical atlas with the name circled. There is no reason to assume he did so for any reason other than that he liked the sound of it, but that has not stopped the locals from claiming to have been Lewis’s inspiration and laying on some dubiously appropriate Narnia-themed tourism.

In 2019 I wrote about Narni in my post A Visit to Narnia.

Narni from the Nera Gorge
Modern Narni, seen from below in the gorge of the River Nera. These days there is a dam and a small hydro-electric power station, creating a narrow lake here. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

Below the gorge the river was navigable, and in recent years the remains of a shipyard (probably for building barges to take grain down to Rome) has been discovered next to an artificial channel, now dry, cut next to the river.

Nera Gorge from Narni
The Nera Gorge from the Narni “Fortezza Albornoz”, looking back down the gorge towards Ocriculum and Rome. Hasselblad 501 C/M camera, CFV-50c digital back, Zeiss Distagon 60mm lens (click to enlarge).

The big challenge for the Roman engineers was to get the road across the Nera here. I assume that a bridge of some sort was built during the construction of the original road in the 3rd Century BC, but it was during the Augustan upgrades that they built the massive bridge – one of the largest such structures known – called appropriately, the Bridge of Augustus (Ponte di Augusto).

Bits of it have been collapsing since the Middle Ages, and the most recent serious damage was during the 2000 earthquake, so a lot of work is going into strengthening what remains. But what does remain is very impressive.

Ponte di Augusto
The Ponte di Augusto from below, showing signs of multiple repair jobs over the years. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Ponte di Augusto
The Ponte di Augusto from below, showing what I think is original stonework.. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Ponte di Augusto
Another view of the Ponte di Augusto from below, this time showing what look like medieval repairs at the top left. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).
Ponte di Augusto restoration work.
Remains of the collapsed portion of the bridge, seen from across the river Nera. The scaffolding is associated with work to stabilise the structure after the 2000 earthquake. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

Millions of people who have never been to Narni are familiar with the bridge, thanks to the famous 1826 painting The Bridge at Narni by Jean-Baptiste-Camille Corot, now in The Louvre.

The Bridge at Narni by Corot
The Bridge at Narni by Corot. Assuming Corot was accurate in his depiction of the bridge, the earlier photographs of the eastern (right-hand) arch show that there has been a quite a lot of repair and restoration work since Corot’s time (public domain; click to enlarge).

Getting a picture of the bridge now from anything close to Corot’s angle is challenging. There are no parking spots anywhere nearby, and what was once a viewing area is fenced off and choked in undergrowth. Eventually I parked in a supermarket car park in the modern industrial town of Narni Scalo and walked a kilometre or so back, passing through a short tunnel and hoping that the drivers could see me as they whizzed past.

Photograph of the bridge from the same direction as Corot
My best attempt to photograph the bridge exactly two hundred years after Corot painted it, from the same angle. Obviously the modern road bridge is a bit lower down than Corot’s easel was, and the vegetation is much thicker than in 1826. And he didn’t have to dodge road traffic. The mountains in the distance are the Monti Martani, where the Via Flaminia was headed. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

The first thing you notice about the bridge is that the smaller western arch (on the left in Corot’s painting) has been repurposed as a short tunnel for the Rome-Terni railway, which also follows the gorge.

The railway passing under the western arch
The Rome-Terni railway line passing under the western arch of the Ponte di Augusto. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

It is also a bit harder than in Corot’s day to pick out the massive eastern arch from all the trees that have grown up around it. But it is still very impressive.

The eastern arch of th ePonte di Augusto
The eastern arch of the Ponte di Augusto. Fujifilm GFX 50R medium format digital camera, 32-64mm lens (click to enlarge).

Carsulae and the Western Branch

The next stop for our military, government or commercial travellers would be Carsulae, if taking the original western branch of the Flaminia, or Interamna (Terni) if on the newer eastern branch. We will take the western.

Monti Martani at sunset
The Monti Martani at sunset after a spring thunderstorm, taken from Todi, a few kilometres away. The western branch of the Flaminia runs along the base of the mountains. Fujifilm X-Pro 3 digital camera, 56mm lens (click to enlarge).

I have already published a separate quite detailed article on Carsulae so I will restrict myself to publishing a few more pictures, and noting that it was obviously a substantial and prosperous town, and that its decline was either because it was not situated in a defensible position, or that its reason for existence disappeared with the decline of road traffic after the fall of the Empire.

Carsulae
The Via Flaminia as it passes through the ancient town of Carsulae, with the forum to the left of the picture. Fujifilm X-Pro 3 digital camera, 16mm lens (click to enlarge).
Via Flaminia in Carsulae
The Via Flaminia in Carsulae, showing grooves worn in the paving stones by cart and chariot wheels. Fujifilm X-Pro 3 digital camera, 16mm lens (click to enlarge).

At this point, with our legionaries ready to head north beside the Martani Mountains, I will draw this first chapter of the story to a close. It will shortly be continued in Part Two.

Edit: here is Part Two.