Abruzzo and the Reluctant Pope

Celestine V was history’s most reluctant pope. I visited the harsh and beautiful landscape from which he came, and where he had lived as a hermit.

Abruzzo, for those who have not been there, is the very mountainous region on the eastern side of the Italian peninsula, about halfway down. It is due east of Rome, and can be reached from there quite quickly by a modern road that goes through many long tunnels and over some spectacular tall viaducts. Until the 20th Century though, if you were in Rome and wanted to get there in a hurry, you might have been better off going by sea, thanks to the mountains.

Despite being on the same latitude as Rome, Abruzzo is officially and historically part of il mezzogiorno or the South of Italy. “Officially” in the sense that the Italian Government groups several regions together for statistical and policy purposes, on the grounds that they share similar economic and social problems, and are the subject of various targeted schemes to try and relieve those problems. And “historically” because before Italian unification in the 1860s, those regions were part of what was variously called the Kingdom of Naples, the Kingdom of Sicily, and the Kingdom of the Two Sicilies – ruled for its last few hundred years by a branch of the Spanish Bourbon family, one of the most reactionary regimes in Europe. Over a hundred and sixty years later, that history still casts a long shadow.

The Apennines define Abruzzo: high mountains, poor soils, a harsh climate – and earthquakes, lots of them.

Gran Sasso
Gran Sasso national park in Abruzzo, April 2011. Horseman 45FA large format camera, Fuji Fujinon-W 125mm lens, Kang Tai 6x17cm rollfilm back, Fujichrome Velvia film (click to enlarge).

For many centuries, the principal economic activity was transhumance – the moving of animals, mostly sheep and goats but cattle too, up into the high country at the end of spring to graze on the mountain pastures, then back down again when the cool weather arrived. Some of the distances travelled were in the order of several hundred kilometres. Transhumance is still happening, but rather than huge herds of animals blocking all the roads, it happens in trucks at night.

These days Abruzzo hosts some of Italy’s wildest national parks, in which are to be found eagles, boars, bears and wolves. I didn’t see any, but there are plenty of road signs warning one to be careful not to hit a bear (I was careful, and didn’t).

We had made a couple of visits to the region in the past; I went there a third time in July 2023 in search of some cooler weather than we were getting in Umbria. I was staying in a place called Caramanico Terme. Italy is full of these spa towns, the glory days of which were mostly in the 1950s and 60s. It seems that back then you could get a doctor to prescribe you a cure at a spa, for your liver or whatever, and the result was a holiday subsidised by the Italian public health system. It was a racket, and eventually the government put a stop to it.

Since then, Caramanico has done better than some; its proximity to Maiella National Park has allowed it to reinvent itself as a centre for outdoor sports, and so instead of elderly people with liver problems shuffling along, the town is full of younger people with extravagant calf muscles striding purposefully along.

Caramanico Terme
Caramanico Terme, with smoke in the distance. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

On the evening after I arrived I went out for a stroll and an aperitivo. As soon as I got outside I smelt smoke in the air; the sky was a bronze colour, a light snow of white ash was falling, and people were gathered in the street looking at the sky, in a way that Australians are familiar with. It didn’t take long to establish that there was a wildfire on Monte Morrone, the large mountain between Caramanico and Sulmona. That put paid to one option for the next day, which was a visit to the principal hermitage of Pope Celestine V.

In fact, a visit to Celestine’s main hermitage on Monte Morrone, even if there had been no fires, would not have been all that satisfying, as it has been significantly enlarged and embellished over the intervening centuries. But all was not lost – not far from Caramanico is another hermitage that he lived in for five years, which is still pretty much in the 13th-Century condition to which Celestine himself restored it. It is called Eremo di San Bartolomeo in Legio.

Pope Celestine V

Who was Celestine V, and why would I want to visit his hermitage? Born Pietro Angelerio and later known as Pietro da Morrone, he was easily the least suitable pope in the history of the papacy (note: I have no opinion on the suitability of any recent popes on doctrinal grounds; this is a history blog, not a religious one).

Back to Pietro. Born to a poor farming family in the 13th Century, he became a monk and lived an extremely ascetic life as a hermit on Monte Morrone and other places in the area, attracting followers and gaining a reputation for piety and simplicity. He came to the attention of papal circles when he made a journey to visit the then pope in person and seek approval for establishment of his order, later known as the Celestines.

Then the pope died, and for various reasons, including plague in Rome and the usual one that several of the cardinals wanted the job themselves, no agreement was reached on a successor for a couple of years. Pietro wrote to the college of cardinals, then meeting in Perugia, telling them that they risked damnation if they didn’t make up their minds. No doubt thinking “job done”, Pietro went back to being a hermit, only to stick his head out of his cell one morning to see a delegation outside informing him that he had been elected the next pope. Actually, two delegations. The King of Naples, of whose territories Abruzzo was part, had also heard the news and could not pass up the opportunity to get involved in the fun.

Dismayed and at first flatly refusing, Pietro was eventually persuaded on dubious theological grounds that he did not have the option to refuse, and very reluctantly agreed to become pope, taking the name Celestine V. It didn’t end well. Poor old Celestine was hopeless at running a theocratic state and was kept a virtual prisoner by the King of Naples and the crafty cardinals. He was illiterate, spoke no Latin, and would say yes to whatever was asked of him, sometimes granting the same benefice to multiple petitioners.

The craftiest of the cardinals, one Benedetto Caetani, undermined Celestine’s confidence even further. He went so far, it was said, to introduce a speaking tube into Celestine’s cell through which, in the small hours of the night, he would pretend to be the voice of God, telling the terrified pope to resign or face damnation. After five miserable months Celestine passed a decree allowing popes to resign and promptly invoked it, hoping to return to his hermitage.

Not everyone accepted his resignation, and in order to prevent him being set up as a rival, his successor as pope (Benedetto Caetani; now there’s a coincidence) who took the name Boniface VIII, made him an actual prisoner in a remote castle – which is not too different from how he had planned to live anyway – and before long he died.

Boniface could not have been more of a contrast to Celestine. He was a typical medieval “bad pope” – not as outright evil or debauched as some, but not particularly interested in spiritual matters, and very interested indeed in extending his temporal power and empowering and enriching his family. He repealed all of Celestine’s decrees except for the one about papal resignations.

After Boniface in turn died, Celestine was canonised. This might seem to have been an apology from the church for the rotten way he had been treated, but in fact even that was political. Given that making him a saint was an implied criticism of Boniface, cardinals from the Caetani family and their allies all voted against canonisation, but were outvoted by their rivals, cardinals from the Colonna family and their allies.

Il Sentiero di Celestino

Before I could start my journey in the footsteps of Celestine, I drove up a narrow, steep and winding road to a village called Decontra, several hundred feet above Caramanico. This was a pretty little place in a spectacular setting, on the shoulder of a hill beneath some much higher mountains.

View of the Apennines from Decontra
View of the Apennines from Decontra. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens, three images merged in Affinity Photo software (click to enlarge).

A single row of stone cottages lines the road. But what is pretty now would have been a harsh place to live until quite recently. It was the sort of place where the more prosperous people could aspire to build a two-storey house, so the animals and people could live in different rooms.

Decontra
Decontra. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

Having found somewhere to park, as I was loading myself up for the walk I saw someone whom I took to be another hardy trekkista approaching across a field. Then I noticed that he was accompanied by a large herd of sheep – no, goats – no, sheep and goats. And he was an elderly she.

Goatherd
Goatherd near Decontra. Pixel 4A phone camera (click to enlarge).

She had three dogs with her but only one seemed to be making any contribution; the other two were more interested in playing, saying hello to tourists and so forth. So the sheep and goats were heading in all directions and it took the lady quite a bit of running around, yelling and hitting any nearby animal with her stick, to get them all going in the same direction.

Which she eventually did, and off they all went in search, literally, of greener pastures. I felt that I had been given a glimpse of the past, or to be more accurate, a glimpse of something that would shortly become part of the past. I mean, good luck getting anyone under seventy to take that on as a profession.

Sheep and goats near Decontra
Sheep and goats, with Decontra in the background. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

The Valle Giumentina

To get to the eremo was going to be a couple of hours’ walk through an area called the Valle Giumentina, which is a wide valley sloping down from the high Apennines towards the distant Adriatic. It is shown on Google Maps as a “neolithic archaeological site”, and sure enough it is covered with little piles of stones. At one side of the valley some entrepreneur has recreated a “paleolithic village” of little round stone huts – it wasn’t open during the week, but even from a distance it was rather reminiscent of The Flintstones.

Paleolithic and neolithic things have indeed been found here, and it seems that in prehistoric times the locals used the valley for transhumance, and built little stone huts (called tholoi) in which to store things, and in which to turn the milk from their flocks into cheese. But here’s the problem: so did every subsequent generation until after the Second World War. So was that pile of stones the remains of a hut from 1000 BC, or of one from 1950? I resolved to visit the archaeological museum in Chieti the next day to find out.

The Eremo di San Bartolomeo in Legio

On the edge of the Valle Giumentina the limestone has been eroded into a deep ravine, on the side of which there is a natural stone platform under an overhanging rock, and on that platform is a little chapel and an adjoining cell. According to a plaque at the site, it had already been built and had then fallen into ruin when Celestine, or Pietro as he still was, rebuilt it and moved in.

There are two ways to get to the hermitage, and both seem to be equally arduous. As it turned out I had chosen the better route for photography, as it approached from the other side of the valley, giving much better views. The other route approaches from above, and you would not be able to see the place until you got to it. Even from my side of the ravine it was a bit hard to make out at first – in the photograph below it is at the lower left.

Eremo di San Bartolomeo
Eremo di San Bartolomeo in Legio. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

It was a bit of a scramble down, and a tiring climb back up, but worth it for the photographs.

Eremo di San Bartolomeo
Eremo di San Bartolomeo in Legio. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).
Eremo di San Bartolomeo.
The hermitage from the floor of the ravine. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).
Eremo di San Bartolomeo
The hermitage from the approach, showing the natural rock overhang. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).
Eremo di San Bartolomeo
Front of the hermitage, showing the remains of what I think is a 15th-Century fresco. I don’t know how old the graffiti are. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).
Eremo di San Bartolomeo
The chapel,with the door to the hermit’s cell to the left of the altar. The object behind the altar is a figure of St Bartholomew, holding the knife with which the martyr was flayed. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

Poor old Celestine has been remembered though; the walking trail which links several of these barely-accessible hermitages is the Sentiero di Celestino. Of course, the hardy trekkisti with bulging calf muscles, Ray-Ban sunglasses and carbon fibre walking sticks might not look much like the wild-eyed, half-starved hermit who became history’s most reluctant pope, but there you are. In addition I note that there is a “Bar Celestino” in Sulmona, to which no doubt a modern Celestine could come down from the mountain if he felt like an Aperol Spritz.

Chieti

The next day I did indeed drive to Chieti – a handsome town on a hill between the mountains and the sea – and visited the archaeological museum. It did not enlighten me regarding the Valle Giumentina – the attendant I consulted was knowledgeable about the rules on photography in the museum, but had never heard of the Valle Giumentina. I’ve since found some academic papers online which variously date human habitation to the Paleolithic and indeed late Pleistocene eras. The visit to the museum was by no means a waste of time, as there was a lot of information about the various pre-Roman clans and tribes in the area, and I did get to see the slightly-famous “Warrior of Capestrano”, a grave statue from the 6th Century BC. With his wide-brimmed helmet and the diagonal shoulder straps holding his breastplate on, he looks a bit Mexican.

Guerriero di Capestrano
The “Guerriero di Capestrano, Archaeological Museum of Abruzzo, Chieti. Fujifilm GFX 50R camera, Fujifilm GF32-64mm R LM WR lens (click to enlarge).

Further Reading

There is plenty about Celestine V online, but one of the more satisfying sources is The Popes by John Julius Norwich (London 2011). Celestine and Boniface are dealt with starting on page 189.

A Nation of Shopkeepers

This is an affectionate photographic tribute to the shopkeepers of italy, most of whom were forced to close this week because of COVID-19.

So there I was, unable to get back to Italy for the foreseeable future and worried about the people we know there. Then I saw the news about most shops being closed, which depressed me further, but then I realised it had given me an idea about something else to celebrate about Italy. It might cheer me up a bit, and I hope it cheers you up too.

The Italian genius for design manifests itself in various celebrated ways. The fashion houses of Milan. Alfa Romeo and Ferrari. The classic Vespa. The Piaggio P.180 aircraft. It isn’t enough merely to be fit for purpose. – it must be beautiful. (In fact thinking back to my much-loved Alfa 159, sometimes form clearly had taken precedence over function). But it isn’t just the highly-paid designers. Deep down, every Italian is a stylist. You can tell by the way they dress for the evening passegiata. And in every market and every shopping street, you can tell by the care with which they arrange the displays of merchandise for maximum effect on stalls and in shop windows.

The architecture can be a delight too – especially the way that a vintage shopfront is carefully maintained for decades.

Italians are famously individualists. Not always a good thing, when it comes to following public health directives. But the pride that people take in themselves and their own enterprise really comes out in their shops. I’ve already posted a photo essay on the market at Padua, which you can look at to see the displays of fruit, fish and meat.

So here is an affectionate tribute to shopfronts and shop window displays, dedicated to all of their proprietors, and what they are going through right now. Things may not always be done in the most refined taste, indeed sometimes they are positively idiosyncratic, but in every case they have been done carefully.

We start in the town of Norcia. Apart from being the birthplace of St Benedict, it is famous for its smallgoods manufacturers. So much so that salumerie throughout Italy often refer to themselves as Norcinerie.

Norcia
Norcia. Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).
Norcia
Norcia. “Da Tre Porcellini” (The Three Little Pigs). Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).
Norcia
Cool dudes in Norcia. “Coglioni de lu Mulu” means “mules testicles” in dialect, but they are just a form of salami. Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).
Norcia
A Norcineria in Norcia. Fratelli Ansuini (Ansuini Brothers) is quite a big producer, and I can’t help wondering if that really is their name, since “suini” means “pigs”. If so it is a happy coincidence. Hasselblad 500C/M camera, Zeiss Planar 80mm lens, 6x6cm rollfilm back, Fujichrome Velvia film (click to enlarge).

The first three of those pictures were taken with my favourite 35mm camera of all the many I have owned. The Contax brand originally referred to cameras made by the branch of Zeiss that stayed in the old East Germany. The brand was bought by the Japanese Kyocera company, and they produced a couple of absolutely beautiful little rangefinder cameras, with superb genuine Zeiss lenses. If they would bring out a digital version I would buy it like a shot. Being small and light, the Contax G1 is great for candid street photography, such as the following two taken in Via Garibaldi in the Arsenale quarter of Venice.

Via Garibaldi
Via Garibaldi, Venice. Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).
Via Garibaldi
Via Garibaldi, Venice. Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).

This next is also from Venice, and is of course a shop in a Venetian context. Not a candid street snap, as it was taken on a large format camera on a tripod.

Rio S Barnaba
Greengrocer’s “shop”, Rio San Barnabà, Venice. Horseman 45FA large format camera, Nikon Nikkor-W 150mm lens, 4×5″ film back, Fujichrome Velvia film (click to enlarge).

The island of Burano, in the Venetian lagoon, is famous for its brightly coloured buildings. Here is a butcher’s shop.

Burano
Butcher’s shop on Burano. Horseman 45FA large format camera, Nikon Nikkor-W 150mm lens, 4×5 inch film back, Fujichrome Velvia film (click to enlarge).

The town of Sulmona is in the rugged region of Abruzzo, surrounded by high mountains. It is famous in Italy for the production of confetti for weddings and other celebrations. Now in Italy confetti are not bits of coloured paper to throw at the happy couple. They were originally hard sugared almonds – not the sort of thing you would throw at anyone. These days “confetti” include all sorts of hard candies, many garishly coloured. The maker pictured below specialises in making sunflowers out of them.

Sulmona
Sulmona, confetti maker’s shop. Hasselblad 500C/M camera, Zeiss Planar C 80mm lens, 6x6cm rollfilm back, Fujichrome Velvia film (click to enlarge).

In Naples, the colour and glow of shops, especially a baker like this, make a particular contrast to the gritty streets outside.

Napoli Via Tribunali
Baker’s shop in Via Tribunali, Naples. Hasselblad 500C/M camera, Zeiss Planar 80mm lens, 6c6cm rollfilm back, Fujichrome Velvia film (click to enlarge).

The picture below is from Bologna, which is generally thought of of a gastronomic centre. Needless to say, it has several excellent (and expensive) food shops, which clearly feel obliged to have window displays that match the reputation.

Bologna salumeria
Bologna salumeria. Contax G1 35mm rangefinder camera, Zeiss Planar 45mm lens. Fujichrome Velvia film (click to enlarge).

Here are four very elegant shop fronts. A cafe and tobacconist in Urbino, another confetti outlet in Sulmona, a butcher’s in Spoleto, and an electrical parts shop in Bologna.

Urbino Caffetteria
Caffetteria Fratelli Boni, Urbino. Fujifilm GFX-50R camera, 32-64mm lens (click to enlarge).
Sulmona confetti
Confetti Rapone Panfilo, Sulmona. Hasselblad 500C/M camera, Zeiss Planar 80mm lens, 6x6cm rollfilm back, Fujichrome Velvia film (click to enlarge).
Spoleto Macelleria
Macelleria Giovanni Luna, Spoleto. Hasselblad 501C/M camera, Zeiss Distagon 60mm lens, CFV-50C digital back (click to enlarge).
Bottega della Luce
Bottega della Luce, Bologna. Hasselblad 501C/M camera, Zeiss Distagon 60mm lens, CFV-50C digital back (click to enlarge).

Here are two very traditional shops. Another salumeria, from Verona, and “Everything for the Home” from San Quirico d’Orcia in Tuscany.

Salumeria Albertini
Salumeria G. Albertini, Verona. Hasselblad 501C/M camera, Zeiss Distagon 60mm lens, CFV-50C digital back (click to enlarge).
Tutto per la Casa
Tutto per la Casa, San Quirico d’Orcia. Canon EOS-3 35mm camera, 28-135 IS lens, Fujichrome Velvia film (click to enlarge).

And I will finish with two of my favourites. The first is from the town of San Zeno in Montagna, high up above Lake Garda. The second is the town of Castiglione del Lago, a fortified town sticking out into Lake Trasimeno in Umbria. They are my favourites because they include the proprietors. Bless them, and all the shopkeepers of Italy.

San Zeno in Montagna
San Zeno in Montagna, Veneto. Hasselblad 500C/M camera, Zeiss Planar 80mm lens, 6x6cm rollfilm back, Fujichrome Velvia film (click to enlarge).
Castiglione del Lago
Castiglione del Lago. Hasselblad 500C/M camera, Zeiss Planar 80mm lens, 6x6cm rollfilm back, Fujichrome Velvia film (click to enlarge).

Note, added 2024: I said earlier that I wished I could find a digital equivalent of the Contax G1 35mm camera. A year ago I bought a Fujifilm X-Pro 3 and I must say that does give me much of the same kind of feeling when using it.